Dancing With the Stars: Nancy Grace Is "An Emotional Wreck"

Nancy Grace It's not easy risking personal humiliation on national television. Just ask Nancy Grace, the pit bull-like former prosecutor who is struggling to get into her Dancing With the Stars groove. "I was an emotional wreck this week, trying to dance," Grace said moments after her performance of the quick step. She was also still reeling from the low score (a 16) given to her first dance last week, for the cha cha. "I worked my fingers to the bone. We had practiced the cha cha so much, but then I didn't deliver on the dance floor."Grace is the first to admit that she has trouble accepting the concept of not excelling at something when she's working so hard and was very disturbed when she was in the bottom three on last Tuesday's results show. "You have to listen to what Tom [Bergeron] says," advises pro Karina Smirnoff. "Being in the bottom three doesn't necessarily mean that you got the least amount of votes."But that didn't stop Grace from having nightmares all week about ending up there again. "I know it was wrong," she said, "but as I was walking to the stage tonight, I remembered what it was like to be in jeopardy last week. It's very difficult to go out into the public eye and risk a personal failure. I've been worried all week." Which is why she had a meltdown in rehearsals with her understanding pro, Tristan McManus. "When you're practicing hours and hours every day, in one room, and things don't go well? I mean, sometimes, it explodes," says Grace. "But I don't think we were ever in jeopardy of not being a team."Lucking, Grace ended last night's show solidly in the middle of the pack, scoring a very respectable 21. "It was a better night," she said, finally smiling.Subscribe to TV Guide Magazine now!

Watch Online Harry Potter and the Deathly Hallows

James Cromwell Toplines Canadian Indie 'Still'

TORONTO -- Babe-star James Cromwell, who also referred to George H.W. Rose rose bush in Oliver Stone's W, is at Canada starring in author/director Michael McGowan's theatrical drama Still.our editor recommendsJames Cromwell hurt in cycling accidentQ&A: Director Michael McGowan Cromwell and fellow Oscar nominated star Geneviève Bujold (Anne in the 1000 Days) play an senior citizens couple combating municipality physiques in rural New Brunswick to create their final home. Continues to be McGowan's fifth feature, and follows Score: A Hockey Musical, which opened up in the Toronto Worldwide Film Festival this season. The film continues to be shot in northern Ontario and New Brunswick, in addition to stars Canadian stars Ron Roberts, Julie Stewart and Jonathan Potts, as well as American thesp Campbell Scott. The indie from Mulmur Feed Co. Production is produced by McGowan, Jody Colero, Tamara Deverell and Avi Federgreen, which is executive produced by Richard Hanet. Mongrel Media wil release Still in Canada. Related Subjects Worldwide James Cromwell

'Wicked' flies with digital

'Wicked'As the lone West Finish survivor from the dozen tuners that opened up in 2006, "Wicked," honoring its fifth anniversary Sept. 27, looks to become chugging along as strongly since it's Broadway counterpart, which after eight years, shows no manifestation of slowing down.However in the U.K., where "The Wizard of Oz" is way a lesser cultural icon compared to the U.S., a lot of the London success from the Emerald City redux comes lower towards the West Finish production's groundbreaking utilization of on the internet and internet marketing.InchFor an extent, i was following Broadway's lead," states Jo Hutchison of selling company Jo Hutchison Intl., whose credits include "Mamma Mia," "Priscilla Full from the Desert" and which handled the London launch for marketing and advertising company Dewynters. "But at that time, convincing everybody that musical theater fans would contact one another online was certainly a constant struggle. Theater had not really done that before hugely. Digital marketing invest 'Wicked' was greater compared to every other musical."Ad dollars were moved from traditional avenues of major print and off-line locations, an internet-based the show even moved well past the expected forum of theater-specific websites. Evidence of its success has become highly visible on Facebook, in which the London production has around 40,000 fans who're constantly up-to-date using the show's every development on- and off-stage. Digital strategy appears to become working in the box office: Based on the show's London executive producer Michael McCabe -- who teamed with U.S. producers Marc Platt and David Stone around the Brit version -- the gathered gross in the 2,292-chair Apollo Victoria is "more than 145 million" ($228 million). Its only rival for that weekly top financial place is Disney's "The Lion King," that is inside a similarly large auditorium."Wicked" also boasts year-on-year growth using its 2010 total of $47.two million marking a tenPercent rise over 2009. This season is on target, McCabe adds, calculating more than $967,000 each week, up 7.5% in comparison to 2010.(In the event that weekly gross appears low in comparison to Gotham totals, it is because London ticket costs are considerably lower. The weekend top is $102 in comparison with Broadway's $130. Furthermore, London has far less premium seats, and they are listed at $145, which pales beside $276.25 in the Gershwin.)The London version is not sitting on its laurels: One more specialist company, Think Jam, was triggered board captured to deal with digital PR and promotions."Theaters tend to speak with their core audience using expected theater-ant conditions and websites," states Think Jam commercial director Philip Rose. "This is a closed group. We are widening that out, working online with video content on larger entertainment websites and beyond."Having a client list including twentieth century Fox, Fox Searchlight, Universal Pictures and Warner Bros., the organization applied its handling of movie releases and rollouts -- exclusive positions of first-look packages on high-traffic sites, syndicating material to websites and blogs -- towards the similar needs of "Wicked."Although the organization utilizes a film-centric approach, Rose highlights one major difference. "Having a movie you've got a strictly defined period of time through pre-release to opening. For any lengthy-running theater show like 'Wicked,' the campaign is all about a constantly ongoing dialogue. The social networking activity surrounding it demonstrates it's not about basically plundering individuals excitement for that show, but about creating a relationship together.Inch Unlike plays, which only hardly ever expect audiences to come back for multiple viewings, tuners enjoy repeat business. Within the situation of "Wicked," that's increased with "Ozmopolitan," the show's monthly e-newsletter sent to the whole fanbase via direct email and social networking, which is related together. Additionally, there are major outreach work to family websites and "mummy blogs" and positioning programs using the educational industries to take advantage of the tuner's youth appeal.Happy though he's using the marketing, McCabe remains obvious-eyed about its potential."The different options are lots of money and get something for the short term but marketing alone does not turn shows around. We've been in a position to enhance a well known show. It is the reveal that counts. This is exactly why remained as here after 5 years.Inch Contact David Benedict at benedictdavid@mac.com

12 Burning TV Questions Clarified (Kind Of)

THR's chief TV critic weighs in at in at in round the turmoil in television -- large bets on pricey shows, systems fighting to right themselves and harmful new leads overpowering aging hits.our editor recommends18 Familiar Faces of Fall TVFall TV Dying Pool: Will 'Charlie's Angels,' 'Whitney' or 'How to become Gentleman' Be Axed First?Fall TV's 12 Most Anticipated ShowsFall TV Preview 2011: 10 Fresh Faces To KnowFall TV Preview 2011: The Completely New ShowsFall TV Preview 2011: The Returning Shows Will Terra Nova as well as the X Factor deliver for Fox? They're large, large shows. The wager here's that Terra Nova will underperform while not fail, while X Factor may even exceed what Fox is expecting. Clearly, once they both fail, you will notice high-level job openings by the bucket load. Will Ashton Kutcher save two and a half Males? Plenty of eyes will probably be on him. Clearly, nearly all people eyes seen the show to start with but nonetheless jeered, so that it's nothing beats standards are very high. The show's Sept. 19 premiere attracted nearly 28 million audiences. Will Foreign exchange's American Horror Story function as most-spoken-about fall series, and will it satisfy the hype? I believed Ryan Murphy and Kaira Falchuk's pilot will be a gigantic, assaultive mess, however eagerly await the next number of obligations to determine if they could fix the confusing madness. Here's an crazy guess: The premiere breaks Foreign exchange's ratings records, nevertheless the drop rate after that's precipitous. Will AMC wobble any longer? Season a few The Walking Dead will be the beginning point for people seeking clues. The guess here's that Walking Dead, despite focusing with limited funds, can do okay which is in good hands despite showrunner Glen Mazzara walking looking for the fired Frank Darabont. But Mad Males fans have a very extended delay until its return, the pilot for your new Western series Hell on Wheels (November. 6) isn't excellent, and fallout within the Killing's unfulfilling season finale will most likely linger. If Killing executive producer Veena Sud can't fix her plotting mistakes in season two, a larger viewer mutiny will probably be at hands -- and AMC will probably be left in stress mode. Will the faux Mad Males-inspired nostalgia in the Playboy Club and Pan Am mesmerize a mainstream audience? Guess: No. Nevertheless the overt sexism, even if it absolutely was natural throughout that period, will most likely turn off female audiences (who won't buy the "empowerment" nonsense). Once they cure it in groups, these shows are dead. Will new entertainment leader Bob Greenblatt turn the truly amazing Ship Cinder Block at NBC around? Everybody knows the job before him, and so the bar is rightfully low. I'm predicting he provides much better than expected, though more work awaits. Will Desperate Regular folks day a bang after eight seasons? And, possibly a lot more important, will creator Marc Cherry's decision to shut the lid on round the series be adopted by other showrunners on veteran dramas? Do they really realize that the time has come to move on? Our eyes are saved to Grey's Anatomy, CSI: Anything, regulations & Order franchise and sundry CW shows. Nevermind Kutcher the way in which Ted Danson do on CSI and James Spader round the Office? Guess: Well and not so well. Danson is actually intriguing just like a dramatic actor, something he's been fine-tuning lately. While Spader is capable of doing funny, it might be less about him plus much more about Office just seeming carried out out, no matter who's the boss. What is going to happen to the graduation class of stars on Glee, and may anybody care? Or will there you have to be a spinoff? Or can they all become townies who postpone near to the school? Maybe there's bigger hits in midseason in comparison to fall? There certainly seems being more excitement (especially from experts and, in the event you pressed these to reveal the truth, probably from network professionals) in what's later on in the month of the month of january forward together with your shows as NBC's Smash and Awake and Fox's Alcatraz. Will the programming experiment of the year -- CBS moving the comedy Rules of Engagement to Saturday (yes, Saturday, TV's graveyard) -- reinvigorate the evening for scripted shows? Guess: No. Nevertheless it's a valiant effort. Will people avoid Prime Suspect once they were fans in the original? They shouldn't. It doesn't share any noticeable DNA while using original. Be much more handy familiar trait is always that, inside the pilot, the sexism is colored on pretty thick -- sexism being one of the primary stuff that the first Jane Tennison experienced. Nevertheless the producers have mentioned they'll backtrack on that -- it's a more compact quantity of an problem, while not extinct, in our age. Although it might be just a little disturbing to hear them dismiss the information in the original series as dated, specially when the completely new the very first is really merely a procedural that breaks no ground, there's an very strong reason to check out the completely new version: Maria Bello. Related Subjects Fall TV Preview

Jason Statham's 'Killer Elite' Cast: 'It Does not Have Any Better'

Virtually whenever we have seen Jason Statham in anything, we all know he'll be some kind of pleasant bad-ass and can kick the garbage from many people by doing this. This week's "Killer Elite" isn't any exception, as well as much better than Statham illuminating the screen solo, he's became a member of by serious A-listers Robert P Niro and Clive Owen. MTV News swept up using the guy of action lately to go over how his Oscar winning and Oscar nominated co-stars elevated the bar on set. "Its like boxing with Muhammad Ali, its like winning a F1 race," Statham stated of dealing with P Niro. "Its the top the mountain, it does not have any better." The seasoned action professional continued to express that his intense fight sequences with Owen - particularly the heated fight at the middle of the film - demonstrated to become probably the most enjoyable he's ever done. "[Our fight moments] are just so good due to the concentration of Clive. Theres a lot on the line. He plays the spy character to some degree that you simply never could - most people I've fight sequences with are stuntmen who are able to barely string a sentence together sometimes," he joked. "It is really an A-list Academy nominated actor that's approaching foot-to-foot. Hes a large guy, hes ferociously intense. We wanted it to feel real. We didnt want some excessively choreographed routine," he described. "We thought about being like two men, one guy trying to get away from this limited space, another attempting to kill him." "It went very well,Inch Statham ongoing. "Its the very first time I've had somebody of this quality to have the ability to do two, three, four times of beating the garbage from one another. Its an excellent scene because nobody wins, there is not a victory available. Its only a real contrasting of missiles." And who does not need to see two missiles, as Statham and Owen, contrasting? Are you going to visit "Killer Elite?" Inform us within the comments or on Twitter!

You May Never You Know What Arnold Schwarzenegger Is Calling His Memoir

Should you be Arnold Schwarzenegger, an amount you call your memoir? It would need to be something juicy -- in the end, you simply got caught having a love child. Hmm...what about naming it after your famous movies? Good call! The first kind governor of California intentions of titling his approaching memoir, 'Total Recall: My Unbelievably True Existence Story.' Before you decide to groan thinking of the Schwarzenegger-composed book bearing the title of his 1990 sci-fi actioner (marketing idea: "Get a ass... towards the book shop!") observe that the title might be worse. Ahnold might have named it something similar to, 'Collateral Damage,' 'Predator,' as well as 'Happy Anniversary and Goodbye.' (We did not make that 4g iphone up -- it had been a 1974 TV movie Schwarzenegger starred in.) [via EW] Image thanks to AP

'The Help' to get Ensemble Award at Hollywood Film Honours

'The Help' to get Ensemble Award at Hollywood Film Honours By Scott Feinberg September 20, 2011 Photo by Dale Robinette/DreamWorks I've found that the star-studded cast of Tate Taylor's "The Help" -- DreamWorks Picture's late-summer time adaptation of Kathryn Stockett's best-selling novel that capped this area-office charts all of its first three weekends in release and it has gained more than $150 million worldwide, so far -- continues to be selected to get the 2010 Hollywood Ensemble Acting Award in the 15th annual Hollywood Film Festival and Hollywood Film Honours, presented by Starz, the very first honours show from the Oscar season.Carlos p Abreu, the Founder and Executive Director from the event, states that no less than the usual dozen from the film's stars -- including all individuals who play its principal figures -- have indicated that they'll collect the award in-person in a gala ceremony on October 24, 2011, in the Beverly Hilton Hotel. They include: 2009 best supporting actress Oscar nominee/current best actress Oscar hopeful Viola Davis, best supporting actress Oscar hopeful Octavia Spencer, and Jessica Chastain, Bryce Dallas Howard, Allison Janney, Chris Lowell, Ahna O'Reilly, Emma Stone, 1981 best actress Oscar champion Sissy Spacek, 1981 best supporting actress Oscar champion Mary Steenburgen, 1973 Oscar nominee Cicely Tyson, and Mike Vogel.Previous casts honored with this particular award include "Crash" (2005), which continued to win the very best picture Oscar, in addition to "Bobby" (2006), "Hairspray" (2007), "The Key Existence of Bees" (2008), and best picture Oscar nominee "The Social Networking" (2010).In recent days, p Abreu introduced the readers of countless other awards "Rango" for that Hollywood Animation Award Oscar nominee Emmanuel Lubezki ("Transformers: Dark from the Moon") for that Hollywood Cinematographer Award Oscar champion Stephen Mirrione ("Transformers: Dark from the Moon") using the Hollywood Editor Award Oscar nominee James Murakami ("Transformers: Dark from the Moon") for the Hollywood Production Designer Award and Oscar champion Scott Farrar ("Transformers: Dark from the Moon") for that Hollywood Visual Effects Award -- and states the remaining honorees is going to be introduced within the next couple of days. The Hollywood Reporter 'The Help' to get Ensemble Award at Hollywood Film Honours By Scott Feinberg September 20, 2011 PHOTO CREDIT Dale Robinette/DreamWorks I've found that the star-studded cast of Tate Taylor's "The AssistanceInch -- DreamWorks Picture's late-summer time adaptation of Kathryn Stockett's best-selling novel that capped this area-office charts all of its first three weekends in release and it has gained a lot more than $150 million worldwide, so far -- continues to be selected to get the 2010 Hollywood Ensemble Acting Award in the 15th annual Hollywood Film Festival and Hollywood Film Honours, presented by Starz, the very first honours show from the Oscar season.Carlos p Abreu, the Founder and Executive Director from the event, states that no less than the usual dozen from the film's stars -- including all individuals who play its principal figures -- have indicated that they'll collect the award in-person in a gala ceremony on October 24, 2011, in the Beverly Hilton Hotel. They include: 2009 best supporting actress Oscar nominee/current best actress Oscar hopeful Viola Davis, best supporting actress Oscar hopeful Octavia Spencer, and Jessica Chastain, Bryce Dallas Howard, Allison Janney, Chris Lowell, Ahna O'Reilly, Emma Stone, 1981 best actress Oscar champion Sissy Spacek, 1981 best supporting actress Oscar champion Mary Steenburgen, 1973 Oscar nominee Cicely Tyson, and Mike Vogel.Previous casts honored with this particular award include "Crash" (2005), which continued to win the very best picture Oscar, in addition to "Bobby" (2006), "Hairspray" (2007), "The Key Existence of Bees" (2008), and finest picture Oscar nominee "The Social Networking" (2010).In recent days, p Abreu introduced the readers of countless other awards "Rango" for that Hollywood Animation Award Oscar nominee Emmanuel Lubezki ("Transformers: Dark from the Moon") for that Hollywood Cinematographer Award Oscar champion Stephen Mirrione ("Transformers: Dark from the Moon") using the Hollywood Editor Award Oscar nominee James Murakami ("Transformers: Dark from the Moon") for that Hollywood Production Designer Award and Oscar champion Scott Farrar ("Transformers: Dark from the Moon") for that Hollywood Visual Effects Award -- and states the remaining honorees is going to be introduced within the next couple of days. The Hollywood Reporter

VIDEO: Hugh Jackman, WWE Stars Spend 6+ Uncomfortable Minutes in the Ring

Do you know what WWE fans love? Like, really feel passionately about? Australian Tony Award winners. Just ask any of the 15,000 adrenaline junkies who showed up to see pro wrestlers like The Miz and R-Truth throw down at last night’s WWE Monday Night Raw and instead got… guest host Hugh Jackman shilling his upcoming robot boxing movie Real Steel! Summon your steeliest nerves and click through to watch the awkward scripted WWE drama unfold below. Warning: You may be tempted to revoke Jackman’s Emmy. “If you guys love the WWE Superstars, I know that you’re going to love the ground-pounding action in my new movie Real Steel.” So subtle! But still, hats off to Jackman for getting in the ring to promote his latest project even though most WWE fans presumably do not care about his illustrious stage and film career. Which was your favorite moment? When Jackman, flummoxed by the ridiculousness of the WWE skit, smirked in the grizzled face of Dolph Ziggler — who brazenly on purpose confused him with Christian Bale? When Dolph’s manager Vickie Guerrero sexually harassed the former Tony host? Or was it when Hugh Jackman vowed to consummate his love to underdogs everywhere by finding the weakest wrestler in the WWE Raw locker room and making him a winner? And more importantly, how will this WWE marketing stunt affect your decision to see the Steven Spielberg-produced Real Steel when it hits theaters October 7?

Harry Potter and the Deathly Hallows Watch Online

Athlete On The Rocky Start As Dancings Season 13 Begins

La, Calif. -- Getting a sparkling new ballroom together with twelve new celebrity competitors, most likely probably the most discussed season of Dwts has started, but a worldwide champion basketball star was already on the rocky start. He may have observed success inside the court room this year's week, legally changing his title from Ron Artest to Metta World Peace, nevertheless the Opponents forward happened round the shows opening dance a cha cha with professional newcomer for the competition, Aussie Peta Mergatroyd. Its a completely new season, weve got a completely new set, nonetheless it is the same type of shimmying about stuff, British judge Len Goodman mentioned. It absolutely was all sizzle, no sausage Im afraid. Bruno Tonioli had kinder words for your star athlete, telling him to use on his technique. As gonna target the strategy, were gonna improve because you have energy plus you've got presence, he mentioned. So choose this dance-a-tron. For that lone female judge Barbara Ann Inaba she was swayed by Ron (hes being referred to as Ron around the program). It's true that who the wild the very first is likely to be, she mentioned. Youre type of eccentric after which kind of sexy. You want that? Ron responded, flirtily. Despite winning over Barbara Ann along with his charm, she gave him just 5 points, Len offered just 4, and Bruno another 5 for just about any total of 14/30. Your competitors is ongoing and a lot of stars, including Kim, Khloe and Kourtney Kardashian, Lamar Odom, Dana Delaney, Courteney Cox, and Andy Cohen are packed into Dancing new-look ballroom, watching. Copyright 2011 by NBC Universal, Corporation. All rights reserved.These elements is probably not launched, broadcast, rewritten or redistributed.

Keck's Exclusives: Taub's Double Blessing

Peter Jacobson Last season on House, Dr. Taub (Peter Jacobson) learned he'd heavy-laden two women. And are available Episode 5, after House exits prison and also the action returns to Princeton-Plainsboro Teaching Hospital, we will have Taub "enjoying the advantages of my exploits," states Jacobson.Adds executive producer David Shoreline, "They have two babies, almost the identical age, and never a perfect situation with either from the moms." Adding insult to injuries: no celebratory cigars in the ever-charming Dr. House, who will not believe that Taub may have fathered these kids.Sign up for TV Guide Magazine now!

Cheers & Jeers: Can Peter Tolan Save Baywatch?

David Hasselhoff Cheers to Peter Tolan for following up Save Me by getting a much more dangerous project: writing a sizable-screen version of Baywatch. Want more Cheers & Jeers? Subscribe to TV Guide Magazine. The Emmy-winning scribe revealed concerning the stomach-busting podcast The Matthew Aaron Demonstrate that he's just finished penning a movie for Vital loosely good extended-running lifeguard drama. Tolan joked that his pals had tried to stage an intervention to convince him not to battle the film, they known to love a non-cheesy comedy inside the spirit of Stripes about two youthful males taking existence-changing jobs concerning the beach. Tolan, who mentioned he's never seen the first series, divulged that new roles happen to be written for series stars David Hasselhoff and Pamela Anderson, but it's unclear whether they'll participate once the movie will receive a greenlight. I, for starters, hope it'll: If Tolan can create a series about publish-9/11 NY City firefighters funny, anything's possible. Are you able to go to a Baywatch movie? Subscribe to TV Guide Magazine now!

Toronto 2011: The Producers of 'The Strangers' Joining Up for brand new Thriller 'Crush' (Exclusive)

The producers from the horror movie hit The Other people are joining up for any new thriller entitled Crush. Sonny Mallhi authored the script for Crush, which Intrepid's Trevor Macy and Marc D. Evans will fully finance and convey. Malik Bader (Street Crook) is placed to direct. Referred to like a mix between Cruel Intentions and Misery, the storyline focuses on a star senior high school athlete who becomes the main focus of the admirer's obsession. He soon finds out the innocent crush has switched harmful and deadly. Intrepid's Anil Kurian will executive produce. Worldwide sales are now being handled by FilmNation. The film is casting up with filming scheduled to start on October 17 in La. Mallhi and Smart partnered the very first time to create Other people, the 2008 thriller that made a lot more than $82 million worldwide. Mallhi also authored and professional created The Roommate, the current thriller that starred Minka Kelley and Leighton Meester. He's also an professional producer about the approaching Jennifer Lawrence thriller House in the Finish from the Street. Smart is shaping to possess a packed 2012. It is a producer about the Raven, Relativity's period thriller starring John Cusack, and also the Cold Light of Day, Summit's actionner starring Henry Cavill and Bruce Willis. It's professional creating Safe House, Universal's action movie looking Denzel Washington and Ryan Reynolds. Mallhi is reped by Quality Media Co. and attorney Gregory Slewett. Bader is repped by CAA, Principato-Youthful and attorney Sean Marks. Toronto Worldwide Film Festival

Golden Globes to return despite court clash

NBC will broadcast the Golden Globe Awards on Jan. 15, 2012.The Hollywood Foreign Press Association and Dick Clark Prods. have reached a temporary truce in their ongoing legal battle that will allow this year's Golden Globes to go on, according to a statement released by DCP, the HFPA and NBC. The kudocast has been scheduled for Jan. 15 on NBC.However, the standoff between the two organizations, which has been delayed in court due to the judge's illness, will continue, according to a statement released by DCP."The parties are pleased to have reached an agreement relating to the 2012 Golden Globe Awards, while preserving their respective positions."

TOLDJA! Weinstein Company Announces VOD Label

The Weinstein Company has confirmed Deadline’s scoop about it forming a VOD venture and naming Tom Quinn and Jason Janego to run it. The deal will certainly focus attention on the emergence of VOD as a lifeline to movies that either don’t have the commercial premise or the starpower for a wide theatrical release. Here’s the announcement from TWC: New York (September 6, 2011) The Weinstein Company (TWC) announced today that Tom Quinn and Jason Janego have joined forces with TWC Co-Chairmen Harvey and Bob Weinstein to create a new TWC label to bring new films and other specialty entertainment to audiences simultaneously across multiple digital and traditional platforms. Quinn and Janego will serve as Co-Presidents of the yet-to-be named label, which will be based in New York. The announcement was made by TWC COO David Glasser. Quinn and Janego were among the first in the film industry to explore the potential of emerging digital platforms and were in the vanguard of developing new strategies for alternative distribution during their tenures at Magnolia Pictures, where they were Senior Vice President and Head of Legal & Business Affairs, respectively. In 2005, Magnolia became one of the first distributors to implement the day/date releasing, premiering Steven Soderberghs BUBBLE and Alex Gibneys ENRON: THE SMARTEST GUYS IN THE ROOM simultaneously in select theaters and on DVD. Over the next several years they expanded on the premium VOD/theatrical platform model with such films as James Gray’s TWO LOVERS, Neil Marshall’s CENTURION, Takashi Miike’s 13 ASSASSINS, Alex Gibney’s CLIENT 9 and FREAKONOMICS, the documentary based on the bestseller, enabling these specialty and independent releases to compete alongside studio content. The new label makes TWC the first studio to premiere select titles across multiple platforms via immediate-access digital and traditional media and will bring TWCs unique, high-quality films to larger audiences than ever before. As Co-Presidents, Quinn and Janego will develop content and distribution strategies that move beyond the on-demand model, with a goal of establishing the new label as a marquee destination. Quinn and Janego will oversee acquisitions, productions and distribution of label content. Both will report to Harvey and Bob Weinstein and David Glasser in New York. Quinn and Janego will be on-site at the 2011 Toronto Film Festival to begin scouting titles for the fledgling label. It is anticipated that the label will release its debut title in the first half of 2012. Said Quinn and Janego, Our experience in digital distribution has been eye-opening and inspiring; we see it as a new frontier for studios and for independent filmmakers of every stripe. It makes perfect sense that the godfathers of modern independent cinema, Harvey and Bob Weinstein, would be the first studio chiefs to launch a business dedicated to these new platforms, and we are thrilled to be working alongside them in this new venture. We cant wait to get going. Commented Harvey and Bob Weinstein, Its an exciting time in filmmaking; technology has made film a more democratic medium than ever, for artists and audiences. There are just so many great movies being made all over the world, and the new digital platforms make it possible for more people than ever to see them. We are thrilled about launching this new label with Tom and Jason at the helm: not only are they innovators with a deep understanding of all things digital, theyre two guys who love movies like we do. In a lot of ways, this label is an expansion on the work weve been doing for more than 20 years, and with Tom and Jason aboard we think it will chart a path into the future. Added Glasser, My tenure with TWC has coincided with seismic changes in the cinema landscape, particularly with respect to the digital revolution and the advent of new platforms for watching movies. Our new label represents a forward-thinking approach to an evolving marketplace, and is a natural step for us as a studio built on specialty films. Perhaps most importantly, its a realistic and exciting way to grow TWC as a studio while staying true to the love of film that is so strong in Harvey and Bob, and in our new partners, Tom and Jason. Previously, Quinn spent more than seven years at Magnolia Pictures as SVP and Head of Acquisitions. He created Magnet Releasing, Magnolia’s genre arm, the Six Shooter Series, as well as the annual Oscar Shorts Program. He’s acquired and distributed over 100 films including ONG BAK, MAN ON WIRE, THE HOST, WORLDS FASTEST INDIAN, JESUS CAMP, LET THE RIGHT ONE IN, and WOMAN THOU ART LOOSED. His recent films include: PAGE ONE, MELANCHOLIA, 13 ASSASSINS, HOBO WITH A SHOTGUN, TROLLHUNTER, FREAKONOMICS, CENTURION, I AM LOVE, MONSTERS, and FOOD INC. His productions include: OUTRAGE, COCAINE COWBOYS 2, SPLINTER, and ABC’S OF DEATH. Quinn is also a programmer, having worked for Philadelphia, Atlanta, Woodstock, and ActionFest, a festival he was instrumental in creating. Prior to joining Magnolia, he was at Samuel Goldwyn for seven years, eventually becoming VP of Acquisitions, where he was responsible for acquiring RAISING VICTOR VARGAS and SUPER SIZE ME. Quinn’s first industry job was working in domestic film publicity for Nancy Willen at Dennis Davidson Associates. Prior to joining TWC, Janego had his own consultancy and legal practice focusing on the development of innovative strategies for the production, financing and distribution of content in all areas of the entertainment business. In his career as an executive, lawyer, consultant, and producer’s representative, Janego has been involved with over 250 films. Previously, he was the Chief Operating Officer at Big Beach Films, a New York-based production company whose credits include AWAY WE GO, IS ANYBODY THERE and SUNSHINE CLEANING. Before joining Big Beach, Janego was Head of Business & Legal Affairs for Magnolia Pictures, Magnolia Home Entertainment, and Landmark Theatres, all of which are subsidiaries of the vertically integrated media company Wagner/Cuban Entertainment. Janego has also worked at Miramax Films and with the film sales company Cinetic Media. Earlier in his career, he was employed as an attorney in the legal department of the NBC television network and with Artemis Records. He also serves on the Committee on Film at the Museum of Modern Art.

The Blues Siblings Visiting TV?

Serta Aykroyd pitching an airplane pilot to networksWhile he's still searching to find the Ghostbusters back about the giant screen, it appears Serta Aykroyd also really wants to continue among his other famous co-masterpieces - The Blues Siblings - in certain fashion, though this time around about the goggle box. Variety reviews that Aykroyd, together with John Belushi's ex-wife Judy, have possessed the television privileges towards the figures of Mike and Elwood Blues for a long time, which they are now shopping the chance of the Blues Siblings series round the US systems. The package to date features a pilot script compiled by Aykroyd, former Saturday Evening Live scribe Anne Beatts, Wayne Catania and Kieron Lafferty. The plot might find the musically inclined pair freshly from jail, with Elwood about the search for his real father. As the intention is to locate new stars to experience the siblings, Aykroyd is going to be involved because the voice of the parole officer. After debuting on SNL in 1978, the Blues Siblings sketches grew to become among the earliest outbreaks in the show. Elwood (Aykroyd) and Mike (John Belushi) created a touring band and starred in 1980's classic John Landis comedy built around them. Even though Belushi died in 1982, Aykroyd hasn't quite let the thought of the duo die with him. About the positive side, he headed home of Blues music venues and together with this guitar rock band with Jim Belushi. About the gloomy, his ongoing obsession also created dodgy film follow up Blues Siblings 2000 in 1998 (even though silver lining there's the song How Blue Are You Able To Get). But because nothing could be left alone nowadays, it seems when among the US channels accumulates the concept, the boys is going to be back. "I believe they are great American figures, Judy Belushi informs Variety. You want to have them alive. We made a decision to introduce them as new figures but get it done within an way they have some history, possess some existence in it. Pray the most recent version of the "mission from God" works out much better than the 2nd movie...